Wednesday, 20 September 2017

WIPW - Reference Charts

I am doing catch up for Work In Progress Wednesday.

If you have not yet taken part in TAST, the online stitch course run by Sharon Boggon of Pintangle, I highly recommend it. A re-run will start in the new year.

In 2014 I made a TAST Reference Chart to have an easy-to-see chart from where I could pick suitable stitches for my various projects.


I filled in the various stitches up to #144, where I took a break.



Finally I have begun to do a number of the shelved stitches. Yesterday I posted about TAST 145, Whipped Chain Stitch version 1, and here it is on the Ref chart:
The second chart is now completely filled in, and I have labeled the third chart with numbers and names.

There are nine shelved stitches to fill in.


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When I started the Sunday Stitch School, one of the promises to myself was to make a similar chart for those stitches, as stated on this first Lesson.

I have been too lazy to even prepare the grid chart, let alone, to fill it in. Last night I made the grid.
So now begins the hard work of filling in the 36 stitches I have posted so far:
 starting with # 1 Anundsjö Stitch

THIS will be my Work In Progress Wednesday project for some time.

Tuesday, 19 September 2017

TAST 145: Whipped Chain Version 1

Now that the Trinity Green quilt is off my hands I will catch up on some TAST stitches I have not had time to work yet.

TAST stands for Take A Stitch Tuesday which is an online course of stitches on Sharon Boggon's Pintangle. Join in and learn. If you want to do it from scratch, there will be a rerun starting next year.
Read more about it here.

As I have explained before, I want all the TAST stitches in one (private) collection and will give them the chronological number in the order I learn them.

It is time for Whipped Chain Stitch, Version 1, which I will call TAST #145.
Simply whip a row of Chain Stitch!



I added this chain in the last box of my TAST Reference chart
and will have to make a new chart as well as labels for them. WIPW work!

Sunday, 17 September 2017

Sunday Stitch School - Lesson 36: Rumanian Stitch

Welcome back to another geography lesson here at Sunday Stitch School. The focus today is on Europe with the Rumanian Stitch.
It is also spelt Romanian Stitch, and has these other names, Antique Stitch, Economy Stitch, Janina Stitch, Oriental Stitch and Indian Filling Stitch.
In Swedish it is called Rumänsk Söm.
In French, Point Roumain or Point Roman. (Thanks Mattia)

I came across this stitch in the library book  'American Crewel Embroidery' by Keiko Arakawa.

Ms Arakawa explains that it is the main stitch used for filling in plants and animals in American Crewel embroidery. It was developed by the early settlers in New England in the 17th century to save yarn and is therefore also known as Economy Stitch. It is a surface stitch which leaves only little wool on the reverse side.

It was not until I checked Rumanian Stitch in other stitch dictionaries and on the internet that I found that the traditional (English Crewel) Rumanian Stitch is 'uneconomical' and uses up considerably more crewel wool.

Compare:
Traditional way 1-5                                       American Crewel way A - E



I have worked the stitches in Perle on Aida to show clearly where the needle enters and exits, but this should of course like all Crewel Embroidery be worked in wool on linen. Then the stitches will fill the motif beautifully.

On my Aida sampler:


Homework:
Trace a floral design from the book, and fill in the petals and leaves with the 'economical' Rumanian Stitch.






Saturday, 16 September 2017

Friday Revision Homework - Stitches 31 - 35

Sorry to be one day late in presenting my homework. My excuse is that 'life got in the way' and just before midnight, I was simply too tired to do the blog post.

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Four of the five Sunday School Stitches used this time have Chinese or Japanese in their names.
That is why my Sunbonnet Sue is on a field trip to Asia, to Japan, to be exact.

Like so many tourists these days she has rented a kimono and is tottering along in her wooden 'geta' sandals, keeping the sun out with her waxed paper umbrella, or is it raining,  and swinging a bamboo basket bag.



First I made the sketch and planned where to use the various stitches.

Then I used a rubber molding mat and a blue fabric crayon to make a subtle pattern on the kimono.
The waxy crayon was easily set with a hot iron, and did not smear anything while I stitched the details.

This is how I used the stitches: